Saturday, May 14, 2011

The Future of the Book

 I recently read 'Seth Godin and the Future of the Book' on the CBC web site. An intersting article on the now and future roles an author will have to play.

There were a few comments posted after the article and here are my responses (with the original posts for reference).

Phobos06 wrote:
I prefer paper books. If I could have an actual durable paperback book which could be filled with words and never run out of batteries I would be happy.

I'm also concerned that the switch to digital books will mean that libraries will cease to exist. Already some publishers have agreed to having libraries lending ebooks but the publishers created the stipulation that an ebook can only be taken out so many times. This is absolutely unacceptable.

I'll stick with paper for the time being. I'm no old fogey either. I'm 30 and I like reading my books on the printed page.


@Phobos06
While I am concerned about many of the same things (I prefer print books, and I think about the future of libraries), technology will and must change everything. It's almost impossible to imagine a high-tech world with Victorian trappings. Impossible and ludicrous.

This means the instituions we love must change also, or cease to exist. Libraries in particular stand on the edge. For them to remain a part of our communities, they will have to find a new model of operation. Perhaps, as they are slowly going here in Yorkshire, UK, they will be more like public reading / meeting rooms with multimedia facilities for general use and, oh yeah, you can access books while you're there. Details of that latter part will require a lot of thought with the constant rise in e-books, but I'm confident an intelligent solution will be found (am I too optimistic?)

In short, we are at a period of great change and it means everyone: public services, companies, governments, the individual, will be forced to rethink models that have grown to be comfortable.


JC Army wrote:


Okay, Mr. Godin, but here lies my personal dilemna. I have written a 100,000 word novel, have tried to find an agent (all I have found that match my type of writing/novel are all full and not accepting any more material). I tried to find a reputable publisher, but alas, they are "not accepting unsolicited manuscripts". I have had some literary friends read my novel and they did love it, offered constructive criticism, etc, but here I sit unpublished. So, I begin to wonder, is my novel actually garbage? But then I read some stuff that IS published by some big fancy publishers and I think THAT stuff is garbage (The Time Travelers' Wife comes to mind, but I digress). I guess I'm stuck in the mindset, that if my novel IS garbage, I don't want to publish it just for the sake of accomplishing a lifelong dream of mine. I want it to be GOOD and I fear I need to hear that from the big publishers in order to feel worthy of becoming a published novelist. I have given up so to speak and am not sure what route to take. I like my novel, I love it's message but I'm not liking how painstaking it is to BE PUBLISHED - not just to get it published. I have always thought that anyone can publish something - just go to any old book publisher and they'll print it - I don't want that. How can you possibly try to market your work when you're focussing on earning a living and raising a family, all the while your manuscript sits in the drawer awaiting the occasional rejection letter from publisher after publisher? Sigh. Maybe someday.

@JC Army
One word: confidence. What you are looking for is validation from the big gatekeepers of the industry. But the future will be full of self-published books. Much of them bad, but enough very good. The onus is becoming more and more on the author to not only manage their career and publicise their book, but to make their book the best it can be on their own.

At the moment, the layers of gatekeepers are multiplying: publishers (editing and marketing departments), now very commonly: agents, and even agents to get you agents. This almost seems like a bubble in the publishing industry as e-books, internet and greater self employment regarding small publishers and editors, means the only thing currently supplied by the big publishing houses is the name (yes, and distribution for the dead-tree versions). This is why publishers are scrambling to develop a new model to ensure their continued existence.

I like to think of this brave new world as a return to the roots of capitalism, in a way. Currently, all industries are controlled by the multi-nationals (the publishing industry is controlled by the big six). But with internet, self-publishing, e-books, if you're book IS good and readers like it (and you do the work to get the word out), then it will sell regardless of what any manager says. And we're back, at least for the moment, to the power of the people. Enjoy it while it lasts.

Edwin

Tuesday, May 10, 2011

The Stuff of Dreams

I had a weird experience last night as I was laying in bed. Just as I was about to fall asleep I was startled by what I can only call a 'mental water drop'. That is to say, I felt a single water drop splash on the centre of my forehead. I knew right away it was in my mind, but it was so similar to the real thing that I had to feel for water. Of course there was none.

Creepy.

I wonder if it means anything? Anyway, it's little things like this that are interesting to remember and include in stories for a little more fleshing out of the character's mindset. I know just the one...

Edwin

Lauren Beukes Wins 2011 Arthur C. Clarke Award

This year's Arthur C. Clarke Award winner for best science fiction novel is South African ex-journalist Lauren Beukes for Zoo City. If you haven't read it, I can definitely recommend Zoo City along with her first book Moxyland--a modern Orwellian 1984. Both are set in South Africa but that, apart from the well-written prose and great imagination, is where the similarities end. Moxyland is set in a high-tech Johannesburg where Corporations and Government abuse technology to control the population. Zoo City, while still feeling very 'real' has a more magical nature with the 'animalled'. Both are great reads.


You can find out more about Lauren, Zoo City, and Moxyland at her website: laurenbeukes.book.co.za

Edwin

Sunday, April 24, 2011

Hugo Award: Best Novel Nominees

Hot of the presses, the nominees for Hugo Award Best Novel (that's sci-fi for those unaware) have just been announced. They are:

Blackout/All Clear - Connie Willis
Cryoburn - Lois McMaster Bujold
The Dervish House - Ian McDonald (winner of the BSFA best novel award)
Feed - Mira Grant
Thousand Kingdoms - N.K. Jemisin

These are "people's Choice" awards, nominees and winners are selected by fans (must be a member of Worldcon--this year in Reno, Nevada--to vote).

Best of luck to all nominees.

Edwin

Friday, March 25, 2011

Creative Commons, Free e-Books, and the New Author

I've recently started a new web site LightSpeedDreams.net. Originally I bought the domain name because I liked the sound of it, and I took some time to decided what content I wanted to put on it. Finally, I've decided to populate the site with content of mine that I will release under Creative Commons license — making it freely available for use, modification, and commercial distribution, as long as I remain listed as one of the authors/creators. Among other things, this will include mp3s, selected artwork, and selected short stories and novels.

Why?

1. In some cases the content I release would be difficult or impossible to sell.

* Cases of work with other creators who have okayed the release but then become unreachable
* Content that was created jointly with the understanding that it would be freely available
* Fan Fiction that cannot be distributed for profit

2. The content acts as a free sample of my work for prospective publishers

3. The most important reason, however, is summed up by Cory Doctorow in the forward to Little Brother (on why he releases all his books as free, drm-free e-books):

For me — for pretty much every writer — the big problem isn't piracy, it's obscurity (thanks to Tim O'Reilly for this great aphorism). Of all the people who failed to buy this book today, the majority did so because they never heard of it, not because someone gave them a free copy.

So, no, people stealing your work to read is not a problem most new authors face. People never reading your work because they haven't heard of you is. Unfortunately, I'm not in a position where I can release all my work for free online, after all, I am trying to start a career as an author and I've not heard of any traditional publishers who will take on an author with no unpublished content. I feel I'm doing the next best thing by releasing selected works for free. On one had, I think of it as a small portfolio sample. On the other hand, a bit like releasing some grown-up children into the world to see what becomes of them.

So, I hope you check out LightSpeedDreams.net and sample, use, modify the content I've posted. And please, whatever you do with it, let me know! I love to hear how my work has been used, and I'll help you advertise with blurbs on my various sites.

And check out science fiction author and digital rights expert Cory Doctorow's site www.craphound.com. The forward to Little Brother (winner of several YA awards and shortlisted for several more) explains the Creative Commons ideas far better than I could, so why not download a free copy from him (and if you like it, buy the print version).

Edwin H Rydberg